
Legal Dispute Over “Dazed and Confused”: Jake Holmes vs. Jimmy Page, Sony Pictures, and Warner Chappell
Introduction
In May 2025, American singer-songwriter Jake Holmes initiated a federal lawsuit against renowned guitarist Jimmy Page, music publisher Warner Chappell, and film studio Sony Pictures. The lawsuit alleges that these parties violated Holmes’ copyright and breached a 2011 settlement agreement concerning the song “Dazed and Confused.” Holmes claims that previously unreleased early Yardbirds live versions of the song were released without his consent, and the track was featured in the documentary “Becoming Led Zeppelin” without proper credit or compensation .
Background of “Dazed and Confused”
Jake Holmes wrote “Dazed and Confused” in 1967, recording it for his debut album, The Above Ground Sound of Jake Holmes. The song is a folk-rock piece that gained attention for its haunting melody and introspective lyrics. In August 1967, Holmes opened for the Yardbirds in New York City, where Jimmy Page reportedly heard the song. Subsequently, Page adapted the song for the Yardbirds and later for Led Zeppelin, with the latter’s version becoming a signature track on their debut album in 1969 .
Previous Legal Action and Settlement
In 2010, Holmes filed a lawsuit against Page, alleging copyright infringement over “Dazed and Confused.” The case was settled out of court in 2011, with the agreement that the song would be credited as “Jimmy Page, inspired by Jake Holmes.” Additionally, the settlement acknowledged Holmes as the sole owner of the original composition and granted him the right to use, license, and exploit it as he saw fit .
Allegations in the 2025 Lawsuit
Holmes’ 2025 lawsuit claims that Page, Warner Chappell, and Sony Pictures have violated the 2011 settlement by releasing previously unreleased early Yardbirds live versions of “Dazed and Confused” that credit Page as the sole songwriter. The lawsuit also contends that the song’s inclusion in the documentary “Becoming Led Zeppelin” without proper attribution and compensation constitutes a breach of the settlement agreement and copyright infringement .
Legal Implications
The lawsuit highlights the complexities of copyright law, particularly concerning derivative works and settlement agreements. Holmes is seeking damages of at least $150,000 per instance of infringement under U.S. copyright law . The outcome of this case could have significant implications for how settlement agreements are enforced and the rights of original creators in derivative works.
Conclusion
The legal battle over “Dazed and Confused” underscores the ongoing issues of copyright infringement and the protection of original creators’ rights in the music industry. As the case progresses, it will likely draw attention to the enforcement of settlement agreements and the responsibilities of artists and companies in crediting and compensating original creators.
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